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  • ÇAYIR HARİTASI
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Cabinet of Curiosities

Wunderkammer / Kunstkammer / Wonder chamber

A Curiosity for Wonders, Knowledge, and Dreams


Long ago, in the old cities of Europe, curious scholars and travelers began to build their own miniature worlds.
In those days, the boundaries between nature, myth, and science were not yet clearly drawn.
Humanity sought to understand the world through both wonder and reason.
From that search were born the Cabinets of Curiosity,
known in German as Wunderkammer or Kunstkammer.


These were rooms where knowledge dreamed.
In glass jars rested seashells and corals, on the shelves lay stones, feathers, herbs, and strange creatures brought from distant lands.


Some objects were proof of science, others echoes of myth.
In one drawer lay a narwhal tusk once believed to be a unicorn’s horn, beside it a scholar’s careful notes.


One of the earliest known cabinets belonged to Ole Worm, described in his “Musei Wormiani Historia” (1655).
Here, truth and legend shared the same space:
“In the same drawer lie the unicorn’s horn and the narwhal’s truth.”


Another can be seen in Ferrante Imperato’s engraving from 1599.
The ceiling holds sea creatures, the walls are lined with minerals, the shelves with bottles.
Order and chaos, science and imagination, coexist in the same frame.


Later came Sir Hans Sloane, a meticulous cataloguer of the natural world,
whose vast collection would shape the beginnings of the modern museum.
In his notes, he spoke of the “power to evoke wonder” within each specimen.


In the writings of naturalists such as Darwin’s journals, Humboldt’s letters, and Merian’s illustrated notes,
nature was described not only as an archive,
but as an enchantment, alive and breathing.


“Every jar held both specimen and spell.”


The Cabinets of Curiosity are not merely relics of an old world.
They live on within us,
in our photographs, our displays, our stories.
Every word is a drawer,
every sentence a secret kept within.


And perhaps, if you listen closely,
you too may hear a whisper rising from one of them,
a story still waiting to be found. 🌙


The Naturalist’s Chamber

Half in Truth, Half in Dream

Strange, mysterious, rare, and deep,
Nature’s hidden treasures, secrets to keep.
None quite alike, no twin to see,
Each one a secret, a tale’s small key.


This is no ordinary room,
Shaped by dreams that quietly bloom.
Every drawer hides a riddle still,
Each token born of a patient will.


A stone, a feather, a butterfly’s wing;
Dried blooms, pale seeds, small sea things.
Branches, twigs, and shells from the bay,
A seahorse resting in glass on display.


Perhaps a wish long lost still waits on the shelves,
While time drifts softly, folding itself.
Some once wandered through pockets worn,
Some drifted from dreams where dawn’s unborn.


Some curios are gifts from distant lands:
Fairy tears sealed in careful hands;
Perhaps a throne, a trident’s gleam,
Hidden where drawers guard their dream.


A pouch of sand from the Sandman’s hand
adorns the night’s most tender strand.
Beside it lies a key so small,
it calls the brave who dare at all,
to open a door where wishes fall.


Do not fear.
Open the door.
The tale you seek may wait once more,
Softly, quietly, evermore. 🌙


This cabinet of curiosities is a small guide for amateur naturalists, gathering delightful notes and photographs in one place.
At the end of the page, the Autumn ’25 Selection awaits you.

A practical guide to creating a curiosity cabinet for amateur naturalists

A curiosity cabinet is a simple way to store and organize small natural findings, focusing not on collecting but on observing and documenting each item’s origin and context. 


This guide offers basic field instructions for gathering and preserving plant fragments, insect remains, feathers, stones and seed pods without harming the environment.

01- Drying and Preserving Wildflowers

Which Flowers May I Gather?

Which Flowers May I Gather?

Which Flowers May I Gather?

Guidelines for Gentle and Respectful Collecting:


Prefer local, widespread, and abundant species.


Avoid rare and endemic plants; especially those under protection or difficult to find in the wild. 


These are best admired with the eyes, captured with the camera, and left untouched.


Small-flowered species like poppies, daisies, wild thyme, mouse-ear, and violets
tend to dry more successfully.


Flowers with thin stems and leaves and low moisture content are the most suitable for pressing.


Methods of Flower Drying

Which Flowers May I Gather?

Which Flowers May I Gather?

Common Methods for Drying Flowers

Pressed Drying (The Most Common Method):


Used to preserve flowers in a flat, two-dimensional form.


Helps retain color and highlights the fine details of petals and leaves.


Air Drying (By Hanging Upside Down)


Best for thicker, sturdier flowers like lavender.


Flowers are tied in small bunches and hung upside down to dry naturally.


Drying with Sand or Silica Gel


Ideal for flowers that you wish to preserve in three-dimensional form.


More complex to do at home, but it produces beautiful, sculptural results.

Using a Flower Press Kit -1

Which Flowers May I Gather?

Using a Flower Press Kit -1

Pressing Flowers - Materials & Method

Materials:


– A plant press (or two wooden boards, cardboard, blotting paper, and straps or velcro)
– Drying paper / newspaper / uncoated paper
– Elastic bands, velcro straps, or bolts with wing nuts
– A flat surface and some weight (a stack of books works well)


Using a Flower Press Kit -2

Storing Dried Flowers: With Care & Meaning

Using a Flower Press Kit -1

Instructions:


 Begin the pressing process on the same day you collect the flower - freshness matters.

Place the flower gently on the paper in its natural shape, spreading out its leaves and petals.


 Press it between the layers of paper (make sure nothing shifts or smudges).

Close the press tightly and place it on a flat, stable surface.


 Change the drying papers every 2–3 days for 5 to 10 days, depending on the flower’s thickness.


Some flowers dry quickly and keep their colors. Others fade - and that too is a kind of beauty.


Drying Methods: Notes & Success Rates

Storing Dried Flowers: With Care & Meaning

Storing Dried Flowers: With Care & Meaning

– Thin and delicate flowers have a higher success rate when pressed.
– Humid environments can cause decay or mold.
– Throughout the pressing process, flowers must not become moldy;  proper ventilation and changing the paper regularly are essential.
– If the stem is thick, it’s often better to split it in two before pressing - this helps the flower dry more evenly and prevents rot.

Storing Dried Flowers: With Care & Meaning

Storing Dried Flowers: With Care & Meaning

Storing Dried Flowers: With Care & Meaning

Dried flowers should be stored in acid-free paper or archival envelopes.


They must be kept in a dry, dark place - inside boxes, folders, or special plant collection binders.


Each specimen should be labeled with its name, the date it was gathered, and the location it came from.


 If you wish, you can create your own herbarium journal -
a quiet book of petals and memories.


On each page, you might leave a note:
“This flower was found on the quietest day of spring, along a path that strayed from the road.”

Ways to Display Dried Flowers -1

Ways to Display Dried Flowers -1

Ways to Display Dried Flowers -1

Displaying dried flowers is not just a matter of decoration;
it’s a way of honoring the fleeting, of giving memory a shape.


There are many gentle methods:


– Glass frames: A simple press between two panes turns a flower into art.
Perfect for wall display, or placing in sunlight-filtered corners (briefly, never full sun).


– Journals or herbarium books: Keep your flowers in a personal archive. Add notes, dates, even sketches or small poems.


– Shadow boxes: For a more three-dimensional approach, use small natural elements-twigs, feathers, handwritten labels.


– Paper collages and botanical cards: Create postcards, bookmarks, or prints using pressed petals and leaves.
Great for gifting or keeping in a drawer like secrets.


Ways to Display Dried Flowers -2

Ways to Display Dried Flowers -1

Ways to Display Dried Flowers -1

First introduced in the 19th century, Wardian cases are small glass and metal greenhouses, created to keep plants alive during long journeys.


These tiny glass worlds allowed exotic species to cross oceans and brought a touch of the tropics into city homes.


As a symbol of exploration, preservation, and the dream of bringing nature into the home, the Wardian case became an elegant part of the cabinet of curiosities.


Even today, such glass cases are ideal for displaying and protecting plants.

Daha Fazla Göster

02- Plants, Insects and Small Organic Findings

Gathering & Selection

Gathering & Selection

Gathering & Selection

Every piece offered by nature holds a story;
seed pods, broken leaves, soft twigs, and even the tiniest insects.


Each one is part of a greater cycle of life.

When collecting, we must be gentle.
We do not harm.


We learn to recognize the rare, the endemic, the protected-and choose only from what is abundant and permitted.


Some of these finds are difficult to prepare at home, but they often yield the most poetic results.

Drying Methods

Gathering & Selection

Gathering & Selection

Pressed gently between papers, these specimens retain much of their natural form and color.


Thin leaves and delicate blooms respond well to this method, preserving their subtle textures.


Seed pods, 


on the other hand, are more fragile-
they prefer slow air drying in a calm, shaded environment to avoid splitting or collapse.


Shrubs and Twigs


Small branches and woody stems are usually dried by hanging. Air drying helps them retain their shape and structure without warping.


Insects


Insects require special preservation techniques;
such as freezing or using ethyl acetate to avoid damage. 


Once preserved, they are stored or displayed in secure, archival boxes, their fine structures protected for observation and study.

Labeling & Archiving

Gathering & Selection

Storage & Preservation

Each specimen carries with it a small story and a fragment of knowledge:


– Scientific and local names (Latin and vernacular)
– Location and date of collection
– The name of the collector, or personal notes


These simple labels enhance the scientific value of the collection, but more than that;
they transport the viewer to a specific moment, a certain place, where someone once knelt down, noticed, and chose to remember.

Storage & Preservation

Storage & Preservation

Storage & Preservation

A cool, dry, and dark environment is ideal for preservation.


Dried specimens are best kept in acid-free paper folders or archival boxes.


Insect collections are stored in small glass display cases or preserved in appropriate fluids when necessary.


To prevent damage from mold, pests, or humidity, regular ventilation and careful monitoring are essential.

Displaying & Sharing

Storage & Preservation

Displaying & Sharing

– Glass Frame Displays:


Flat-pressed flowers can be arranged in transparent frames,
set against a background that offers visual contrast.
They become quiet artworks-simple, natural, elegant.


– Herbarium Style:


For a more scientific approach, specimens can be stored and labeled with botanical names and notes.
This method emphasizes accuracy, clarity, and archival value.


– Artistic Collages:


Dried flowers can be combined with old papers, handwriting, and small drawings-
creating “botanical letters,” memory cards, or nature-inspired journal pages.


– Guestbook-style Presentations:


Each flower can be tied to a journey, a season, or a story.


As in a guestbook of the wild,
each page becomes a trace of where you've wandered and what stayed with you.

03- Geological Findings: Stones and Seashell Fragments

Stones from Many Lands, Rocks of Many Stories

Beachcombing: On Finding Shells and Stories by the Sea

Beachcombing: On Finding Shells and Stories by the Sea

Stones Shaped by Time


Rocks and stones, shaped by nature over thousands-millions-of years,
stand as silent witnesses to time.


Carved by glaciers, sculpted by wind, shattered by water-
they hold within them countless textures, forms, and stories.


Beachcombing: On Finding Shells and Stories by the Sea

Beachcombing: On Finding Shells and Stories by the Sea

Beachcombing: On Finding Shells and Stories by the Sea

 Gathering with Respect


Coastlines are full of quiet treasures left behind by the waves-
seashells, seaweed, tiny stones, and remnants of marine life.


This mindful art of collecting is called beachcombing,
and it must always be guided by respect for nature.


Take only what is abundant.
Gather sparingly, without harming the fragile balance of the coastal ecosystem.


Let your curiosity walk hand in hand with care.


Driftwood - Lodos Brings What the Sea Has Touched

Beachcombing: On Finding Shells and Stories by the Sea

Driftwood - Lodos Brings What the Sea Has Touched

These pieces of wood have wandered.

Once part of boats, branches, or seaside homes-
now shaped by salt, wind, sun, and time.
They arrive with the lodos winds,
bleached, cracked, and sometimes carved by the sea itself.


We collect only a few,
chosen not for size or symmetry,
but for the story they seem to whisper.



Caring for Found Objects - Gentle Disinfection

Caring for Found Objects - Gentle Disinfection

Driftwood - Lodos Brings What the Sea Has Touched

Before storing natural specimens-especially seashells, driftwood, and stones-gentle cleaning and disinfection helps ensure both hygiene and preservation.


 Seashells


– Soak in salty water for 1–2 days.
– Rinse thoroughly in clean water.
– Scrub gently with an old toothbrush if needed.
– For stubborn debris, a mild vinegar solution can be used briefly (but use with care-it's acidic).


 Driftwood


– Let it dry completely in direct sunlight.
– If there is moss, mold, or soft surface material, gently sand the wood.
– Damp pieces should be aired out to prevent mold.
– Optionally, you can place them in a low-temperature oven (around 120°F / 50°C) for a short time to speed up drying.


Rocks and Stones


– Rinse with water and let dry in the sun.
– If there are organic residues or algae, clean gently with diluted soap, vinegar, or mild disinfectant solution.
– Avoid metal brushes-they can scratch the surface.


Storage & Labeling

Caring for Found Objects - Gentle Disinfection

Display of Natural Specimens

Each collected piece-a stone, a flower, a shell-is a fragment of time.


To preserve it is not only to keep it safe, but to continue its story.


 Labeling: Small Notes, Big Meaning

Every specimen should be carefully labeled with:

– Species name (Latin and local)
– Location of collection
– Date
– Name of collector or observation notes


Each label opens a small window into memory.

Storage: Quiet Preservation
– Choose cool, dry, and dark environments.
– Wooden specimens should be kept away from moisture.
– Shells and stones can rest in soft cloth pouches or compartmented boxes.



Display of Natural Specimens

Caring for Found Objects - Gentle Disinfection

Display of Natural Specimens

Display: More Than Showing


– Use glass cases, natural wooden shelves, or stands made from stone, clay, or fabric.


– Each item is not just an object-it is a silent witness to your bond with nature.


✧ Autumn ’25

Little Treasures of the Wanderer

The Silent Gatherers’ Oath

We collect every leaf, every stone, every seashell
with gentle hands;
always striving to honor nature’s mystery
and the cycle of life.


We learn to recognize wildflowers,
especially the endemic and rare;
we only photograph what must be protected,
and some beauties we simply admire from afar.


Bulbous plants are left untouched.
Even when we collect for art or science,
we are content with very little:
One flower from ten,
a single shell;
most often we choose driftwood, glass, or stones instead.


As for bird nests;
they come to us carried by the wind,
or from trees that have surrendered to time;
always gathered with patience and care,
never harming any living thing.


For us, sustainability is not a choice
but an essential rule for living in harmony with nature.


We know that every touch leaves a trace;
so the path we choose
must be gentle, harmless, and kind.


  • BAŞLANGIÇ / BEGINING
  • ÇAYIR HARİTASI
  • MEADOW MAP
  • ÇAYIR GEZGİNİNİN MASALI
  • MEADOW WANDERER'S TALE
  • WILD FLOWERS OF TÜRKİYE
  • STILL LIFE WITH…
  • ATÖLYE
  • ATELIER
  • AYLAK ÇAYIR GEZGİNİ
  • IDLE IN THE MEADOW
  • SECOND BREAKFAST
  • NADİRE KABİNELERİ
  • CABINET OF CURIOSITIES
  • GEZGİN BÜLTENİ
  • BLOG
  • KULLANIM ŞARTLARI
  • GİZLİLİK POLİTİKASI
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Sonbahar  '25

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